|
Martin Boykan (born April 12, 1931) is an American composer known for his chamber music as well as music for larger ensembles. He married the silverpoint artist Susan Schwalb in 1983. ==Biography== Boykan was born in New York City. He studied composition first with Walter Piston at Harvard, where he received a BA in 1951. He then went to Zürich to study with Paul Hindemith, with whom he continued his studies at Yale University, earning an MM in 1953. Subsequently, he went to Vienna on a Fulbright scholarship . He also studied composition with Aaron Copland at Tanglewood (1949, 1950), and piano with Eduard Steuermann. Upon his return to the United States in 1955 he founded the Brandeis Chamber Ensemble, whose other members included Robert Koff (Juilliard String Quartet), Nancy Cirillo (Wellesley), Eugene Lehner (Kolisch Quartet), and Madeline Foley (Marlboro Festival). This ensemble performed widely with a repertory divided equally between contemporary music and the tradition. At the same time Boykan appeared regularly as a pianist with soloists such as Joseph Silverstein and Jan DeGaetani. In 1964–65, he was the pianist with the Boston Symphony Orchestra under Erich Leinsdorf. He has had residencies at Yaddo (1981 and 1992), the MacDowell Colony in Peterborough, New Hampshire (1982, 1989, 1992), and at the Virginia Center for the Creative Arts, Amherst, Virginia (1992, 2007, 2010). Boykan taught at Brandeis University starting in 1957, and was appointed professor there in 1976 . He has held the title Irving G. Fine Professor of Music. Currently he is Professor Emeritus. Boykan has been Composer-in-Residence at the Composer's Conference in Wellesley (1987) and a Visiting Professor at Columbia University (1988–89) and at New York University (1993 and 2000). Boykan was Senior Fulbright Lecturer at Bar-Ilan University, Israel (1994) and Composer-in-Residence at Warebrook Contemporary Music Festival, Irasburg, Vermont (1998). He has served on many panels, including the Rome Prize, the Fromm Commission, the New York Council for the Arts (CAPS) and the Virginia Center for the Creative Arts. Over the years he has taught many hundreds of students including Steven Mackey, Peter Lieberson, Ross Bauer, Paul Beaudoin, Craig Walsh, and Marjorie Merryman. Boykan's mature compositional style, beginning with the partly serial String Quartet No. 1 (1967), is marked by the influence of Anton Webern and the late works of Igor Stravinsky. After the First Quartet, he began consistently to use twelve-tone technique . Boykan has written for a wide variety of instrumental combinations including four string quartets, a concerto for large ensemble, many trios, duos and solo works, song cycles for voice and piano as well as voice and other instruments, and choral music. His symphony for orchestra and baritone solo was premiered by the Utah Symphony in 1993 and in 2009 his Concerto for Violin was premiered by the Boston Modern Orchestra Project. His work is widely performed and has been presented by ensembles including the Boston Symphony Chamber Players, the New York New Music Ensemble, Speculum Musicae, the League-ISCM, Earplay, Musica Viva and Collage New Music. He received the Jeunesse musicales award for his String Quartet No. 1 in 1967, and the League-ISCM award for Elegy in 1982. Other awards include a Rockefeller grant (1974), NEA award (1983), Guggenheim Fellowship (1984), two Fulbrights (1953–55), as well as a recording award and the Walter Hinrichsen Publication Award from the American Academy (1988) and National Institute of Arts and Letters (1986). In 1994 he was awarded a Senior Fulbright to Israel. He has received numerous commissions from chamber ensembles as well as commissions from the Koussevitsky Foundation in the Library of Congress (1985), and the Fromm Foundation (1976). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Martin Boykan」の詳細全文を読む スポンサード リンク
|